Vol. I (excerpts)
Vol. II (excerpts)
Vol. III (excerpts)
Vol. IV (excerpts)
|
A Birthday Check for Matthew |
IV, 64 |
|
A Caution |
I, 131 |
|
A Channeling |
II, 224 |
|
A Christmas Vision |
III, 58 |
|
A Dissertation upon Roast Poet |
I, 145 |
|
A Distrained Yawp in a Country Churchyard |
IV, 126 |
|
A Fiber from the Brain |
II, 136 |
|
A Garland of Six Posies |
II, 36 |
|
A Goodnight Story |
I, 203 |
|
A Haiku |
III, 205 |
|
A Jagged Line of Rising Extension |
I, 69 |
|
A Lecture on the Universe and Its Surroundings |
IV, 105 |
|
A Legend |
IV, 100 |
|
A Ministering Angel, Thou |
I, 206 |
|
A Net for Summer |
IV, 11 |
|
A Note on Hart Crane |
I, 138 |
|
A Passing Eulogy |
I, 9 |
|
A Philosophic Almagest |
II, 193 |
|
A Point of Time |
III, 142 |
|
A Queen’s Epiphany |
II, 20 |
|
A Song of Inner Sense |
II, 225 |
|
A Stung Heart |
IV, 69 |
|
A Summer Rowing |
I, 212 |
|
A Tale of Two |
III, 49 |
|
A Tale |
I, 201 |
|
A Voice from Pork Chop Hill |
I, 1 |
|
A Walk in the Sonnet of Paris |
IV, 88 |
|
A Western |
III, 94 |
|
Accident |
III, 50 |
|
Achilles in Brooklyn |
I, 219 |
|
Address |
IV, 21 |
|
Admission |
IV, 23 |
|
Advancing Back |
I, 38 |
|
Advice to Myself, on St. Valentine’s Day |
IV, 103 |
|
After an Evening with an Armenian Friend |
I, 30 |
|
After Our Dinner |
I, 229 |
|
Afternoon |
II, 159 |
|
Aide |
III, 216 |
|
Air, Earth, and Flow |
III, 111 |
|
Akhenaton |
I, 213 |
|
Alcibiades Muses |
IV, 41 |
|
An Age of Consent |
III, 191 |
|
An Agnostic’s Caballah |
II, 215 |
|
An American Airman Foresees His Death |
I, 18 |
|
An Ethical Tale |
I, 199 |
|
Anasazi into Pueblo |
I, 41 |
|
Ancient of Days |
III, 170 |
|
Anna |
II, 19 |
|
Annunciation |
II, 72 |
|
Another Birthday |
III, 144 |
|
Ant on the Wall |
III, 32 |
|
Apogoshes and Perigollies |
I, 130 |
|
Approaching the End |
II, 142 |
|
Apsley Cherry-Garrard Returning |
I, 133 |
|
Ararat |
III, 212 |
|
Arguing |
III, 54 |
|
Artemis, the Living Spring |
I, 93 |
|
Artist’s Palette |
II, 38 |
|
As Seen on TV |
IV, 182 |
|
As Small Dust upon the Balance |
I, 89 |
|
Assemblage |
III, 97 |
|
At the Backyard Feeder |
II, 54 |
|
At the Cemetery |
II, 186 |
|
At the Delicatessen |
I, 144 |
|
At the Museum |
III, 153 |
|
Auschwitz |
I, 12 |
|
Autogeography |
IV, 15 |
|
Babeuf |
III, 173 |
|
Baldwin IV, Leper, d. 1185 |
II, 212 |
|
Ballad of a Cold War |
II, 74 |
|
Ballad of Doing Lunch |
IV, 120 |
|
Ballad to the Ballad |
III, 123 |
|
Ballade of Bygone Ladies |
I, 182 |
|
Bambino Volante |
II, 179 |
|
Bar Nothingness |
II, 188 |
|
Battalion Sniper |
I, 28 |
|
Beauty and the Beast: a Lesson |
I, 198 |
|
Before Light |
II, 183 |
|
Before the Voyage |
II, 111 |
|
Beginning with Breccia |
II, 2 |
|
Being on the Rocks |
II, 216 |
|
Bell Rings |
I, 165 |
|
Benediction |
II, 187 |
|
Berths |
II, 108 |
|
Bespeaking the Spooky |
III, 214 |
|
Billy Budd |
II, 152 |
|
Biodiversity |
II, 195 |
|
Biography |
II, 171 |
|
Bird-Watching in America |
IV, 77 |
|
Birthday |
III, 51 |
|
Bishop Berkeley Overheard |
I, 190 |
|
“Black Flowers Burst Out Wherever the Night Has Knelt” |
I, 147 |
|
Black Holes of Language |
IV, 156 |
|
Bold Hugs, Bold Sorrows |
III, 101 |
|
Bona Fides |
II, 29 |
|
Book Ends |
II, 166 |
|
Boys Are Boys |
III, 190 |
|
Brave Bolton |
III, 28 |
|
Brief Biography of Pop |
II, 8 |
|
Bright Evening |
II, 104 |
|
Broadening Slowly |
IV, 93 |
|
Broadway Bound |
II, 180 |
|
Brute Confidence |
III, 84 |
|
Bullfight |
III, 81 |
|
Bumps in the Night |
I, 175 |
|
Burying Error |
IV, 138 |
|
Buttresses |
I, 25 |
|
Candles and Crowns |
III, 106 |
|
Cape Weather |
I, 62 |
|
Castings |
II, 3 |
|
Caw |
IV, 76 |
|
Cellini, from the Ramparts |
I, 158 |
|
Challenge |
II, 6 |
|
Chauncey Wright |
II, 191 |
|
Child Language |
IV, 158 |
|
Children and Parents |
I, 192 |
|
Chorus Looking for Work |
I, 129 |
|
Christ’s Rickety Response |
I, 83 |
|
Christmas Night, London |
III, 59 |
|
Chronic Battle |
II, 172 |
|
Citadel |
III, 53 |
|
Cities |
III, 220 |
|
Clara Barton at Lacy Mansion |
I, 21 |
|
Classroom |
II, 161 |
|
Clean Through |
I, 8 |
|
Clerihews |
IV, 47 |
|
Clubless |
IV, 181 |
|
Clutch |
II, 56 |
|
Coal |
II, 125 |
|
Color Coordinates |
III, 159 |
|
Company Picnic |
IV, 216 |
|
Concentration |
III, 218 |
|
Concert Engagement |
I, 171 |
|
Consort |
I, 88 |
|
Concerted Effort |
IV, 163 |
|
Conscientious Objects |
III, 207 |
|
Continental Rise |
II, 209 |
|
Contraction |
IV, 94 |
|
Conversation with Lillian |
II, 178 |
|
Conversion |
III, 194 |
|
Copy Kid |
I, 234 |
|
Country Road |
III, 29 |
|
Creationism |
I, 85 |
|
Crime and Capitulation |
II, 137 |
|
Crossing Over |
IV, 71 |
|
Crossing the Bar |
IV, 14 |
|
Crossing the Heights |
I, 185 |
|
Cyrillic in Black and White |
III, 132 |
|
Daybreak |
III, 77 |
|
Dear Theophany |
III, 156 |
|
December Thirty-First |
II, 211 |
|
Deep as the Ocean Falls |
III, 74 |
|
Deep in the Woods |
II, 31 |
|
Defiled |
II, 145 |
|
Degrees of Joy |
IV, 30 |
|
Déja Vu |
II, 35 |
|
Delay |
II, 177 |
|
Delusionary Scenery |
IV, 148 |
|
Demands |
III, 52 |
|
Democratic Ethos |
IV, 177 |
|
Diary Entry of the Emperor Wu-tsung |
II, 88 |
|
Diavolezza |
II, 218 |
|
Directing the Future |
I, 159 |
|
Dirty McGuinniss Admits Impediment |
II, 94 |
|
Dirty McGuinniss Comforts a Friend |
II, 95 |
|
Dirty McGuinniss Is Startled to Death |
II, 102 |
|
Dirty McGuinniss Lectures Stone Sober |
II, 99 |
|
Dirty McGuinniss Rebels |
II, 101 |
|
Dirty McGuinniss Shares a Flower |
II, 91 |
|
Discard |
III, 90 |
|
Discovery |
I, 211 |
|
Displacement |
III, 5 |
|
Distancing |
III, 171 |
|
Distant Skies, Distant Signs |
III, 219 |
|
Distinguished Vision |
III, 140 |
|
Divergence |
III, 66 |
|
Domino,1941 |
III, 217 |
|
Don Quixote’s Midnight Ballad |
III, 115 |
|
Doorman |
I, 76 |
|
Doubtful Therapy |
III, 141 |
|
Dutch Engraving |
I, 92 |
|
Dylan Thomas |
III, 139 |
|
Dynasty |
I, 58 |
|
Each a Way |
III, 64 |
|
Each Dream Has a Trick |
IV, 99 |
|
Each Name Has a Dream |
II, 156 |
|
East River |
III, 63 |
|
Easter in Jerusalem |
II, 67 |
|
Eddie, Make Fun |
IV, 4 |
|
Edinburgh Cemetery |
III, 45 |
|
Effulgence |
IV, 97 |
|
Elective Affinities |
IV, 84 |
|
Ellipse |
IV, 195 |
|
Else-Things |
III, 14 |
|
Emily Agonistes |
II, 162 |
|
Encirclement |
I, 29 |
|
Encounter |
III, 149 |
|
Engels to His Father |
I, 104 |
|
Entering Another Year |
III, 6 |
|
Entry in My Diary |
IV, 124 |
|
Enuma Elish, Psalm I, 137 |
I, 91 |
|
Environmental Rumor |
II, 53 |
|
Envy |
IV, 114 |
|
Epithalamium |
III, 100 |
|
Events in the Papers |
I, 35 |
|
Exfoliation and Reply |
IV, 108 |
|
Eyeful Tour |
IV, 118 |
|
Eyes That Are Closing in Pain Have Looked on You |
II, 25 |
|
“Faith” Is a Fine Invention |
IV, 40 |
|
Family |
I, 188 |
|
Far from Turin |
I, 127 |
|
Farewell Thinking |
III, 67 |
|
Finding |
III, 78 |
|
First Photos of the Moon |
II, 122 |
|
Fish Music |
III, 154 |
|
Flaubert’s Egyptian Trollop |
II, 163 |
|
Fleeing the Asylum |
III, 125 |
|
Florida Visits |
I, 222 |
|
Flow Gently, Phlogiston |
IV, 193 |
|
Flow |
III, 234 |
|
Food for Janet |
III, 4 |
|
For – |
II, 146 |
|
For Alice Walton, Age One Hundred |
IV, 48 |
|
For an Anthropologist |
II, 18 |
|
For Anne Morrow Lindbergh |
III, 178 |
|
For Christopher Ricks |
I, 140 |
|
For George Herbert |
II, 165 |
|
For Ingrid Bergman |
IV, 159 |
|
For James Baldwin |
II, 167 |
|
For the Forgotten |
I, 107 |
|
For Those Years |
II, 151 |
|
For William Troy |
III, 136 |
|
For Winslow Homer |
I, 150 |
|
Forever and Ever |
III, 43 |
|
Forever at Six A. M. |
III, 11 |
|
Formatives |
III, 180 |
|
Four Poems for the Price of One |
I, 96 |
|
Fourth Avenue |
III, 229 |
|
Fragment of a Sojourn |
I, 7 |
|
Free Will |
II, 103 |
|
From a Room with a Viewery |
IV, 143 |
|
From Commerce to Commercial |
IV, 194 |
|
From Michael Straight’s Autobiography |
III, 129 |
|
From My Study |
II, 21 |
|
From Sidney Hook’s Autobiography |
I, 103 |
|
From the Diary of Albert Einstein, Age 15 |
IV, 191 |
|
From the Diary of Eustace Budgell |
IV, 123 |
|
From the Diary of Jane Addams, Age 10 |
III, 175 |
|
From the Diary of Leo Stein |
IV, 137 |
|
Fulfilling the New Year |
III, 36 |
|
Funeral in Autumn |
I, 166 |
|
Galileo to Milton |
III, 172 |
|
Gap |
III, 138 |
|
Gender Shadows |
II, 27 |
|
Ghost |
IV, 160 |
|
Gliding, Wrapt in a Brown Mantle, Hooded |
I, 151 |
|
Goodbye, Amelia Earhart |
III, 176 |
|
Goodnight Ladies, Goodnight, Goodnight |
II, 226 |
|
Göring in His Cell |
I, 17 |
|
Graduation |
III, 31 |
|
Grave Markings |
II, 182 |
|
Grebanier’s “The Heart of Hamlet” |
IV, 152 |
|
Grebanier’s “The Truth About Shylock” |
IV, 153 |
|
Green Bank |
III, 16 |
|
Habitat Pasting |
II, 32 |
|
Habits |
IV, 24 |
|
Hand Springs |
IV, 197 |
|
Haven |
I, 33 |
|
Henry the Eighth Finally Progresses |
II, 22 |
|
Here and There |
III, 42 |
|
Here’s Looking at You |
III, 69 |
|
Herr Young Professor |
III, 174 |
|
Hiking on Sunday |
III, 186 |
|
Historicity |
I, 68 |
|
Holocaust |
I, 11 |
|
Homage to Charles Chaplin |
IV, 173 |
|
Homage to John Dewey |
I, 101 |
|
Homage to Smollett |
IV, 125 |
|
Home |
I, 218 |
|
Homeless Man |
II, 132 |
|
Homing In |
IV, 68 |
|
Honest Posing |
IV, 33 |
|
Hoplite |
II, 154 |
|
How a New Yorker Thinks |
IV, 25 |
|
How High That Highest Candle |
II, 210 |
|
How I Write |
I, 169 |
|
How Long Will It Take? |
I, 216 |
|
How the Kangaroo Got Its Pouch |
IV, 57 |
|
How the Panda Got Bamboozled |
IV, 59 |
|
How the World Got Its Sun |
IV, 55 |
|
How Things Add Up |
IV, 185 |
|
Husk |
II, 45 |
|
Hymn in Honor of Charlie Chaplin |
IV, 171 |
|
I Am the Love Poem I Will Send to You |
I, 181 |
|
I Hate Rings |
III, 35 |
|
I Kid You Not |
III, 9 |
|
I Love Wild Animals |
IV, 80 |
|
I Myself Am a Savage |
I, 74 |
|
I Never Had a Nanny, Mr. Wellington |
IV, 22 |
|
I Read in Schopenhauer |
III, 76 |
|
I Shall Continue to the Rhythm I Go |
I, 170 |
|
I’m as Unhurried as Nature |
I, 193 |
|
Idyll Chatter |
IV, 86 |
|
If We Cannot Live for Something, We Will Die for Something |
III, 213 |
|
Immortality |
II, 48 |
|
In a Place, At a Time |
II, 23 |
|
In Autumn’s Weather, All the World’s a Wonder |
I, 204 |
|
In Memory of Ruth Roseland |
II, 16 |
|
In Secrecy |
IV, 39 |
|
In Store |
II, 138 |
|
In the Deer Park |
II, 62 |
|
In the Place of the West |
II, 84 |
|
In the Rain |
I, 168 |
|
Infidelity |
IV, 115 |
|
Inside Passage to the World of Youth |
II, 110 |
|
Instructions to My Son |
I, 236 |
|
Interloper |
IV, 129 |
|
Iquitos, Peru |
I, 56 |
|
Is There Anyone Who Hasn’t Said the Eyes Are the Windows of the Soul? |
IV, 184 |
|
It Is the Octave Wonder of the World |
I, 55 |
|
It’s Franklin’s Birthday |
IV, 46 |
|
Italian Interim |
III, 44 |
|
Jerusalem, the Higher Greeting |
III, 226 |
|
John Hilton |
I, 167 |
|
Jointed Maneuvers |
I, 67 |
|
Juan |
III, 117 |
|
Knighthood for Christopher Ricks |
III, 131 |
|
Lady Killer |
II, 164 |
|
Lake Placid and Mirror Lake |
III, 26 |
|
Las Vegas Proposal |
IV, 98 |
|
Last and First Day |
III, 7 |
|
Last Briefing |
III, 208 |
|
Last Testament |
IV, 78 |
|
Last Train of Thought |
I, 63 |
|
Laundry List |
IV, 35 |
|
Lensing: Ethnic |
I, 27 |
|
Letter Found in a Diary |
IV, 189 |
|
Letter to One Perhaps Still Living (1987) |
III, 200 |
|
Leveraging Love |
IV, 102 |
|
Levertov on the Stairway |
IV, 139 |
|
Life and Death, Once Again |
I, 64 |
|
Life as a New Year’s Party |
II, 34 |
|
Limericks |
IV, 66 |
|
Lines |
II, 228 |
|
Linkdown |
I, 233 |
|
Local Design |
I, 82 |
|
Locke & Co. |
IV, 20 |
|
Long Journey into Light |
III, 145 |
|
Long Journey’s Night |
III, 146 |
|
Longevity |
IV, 145 |
|
Looking Like Puccini |
III, 152 |
|
Loss |
III, 57 |
|
Lost Empire |
III, 198 |
|
Lucy the Barmaid Sheds Her Light |
IV, 85 |
|
Maasai |
I, 52 |
|
Machinations |
IV, 96 |
|
Majority Leader |
IV, 176 |
|
Make It Fresh |
II, 41 |
|
Making Up |
III, 68 |
|
Making Up One’s Mind |
IV, 18 |
|
Many Lives |
I, 36 |
|
Marilyn Monroe |
I, 161 |
|
Marsyas in Italy |
III, 181 |
|
Marty Wayne Graduates High School |
IV, 51 |
|
Matin Song, But Evening |
I, 195 |
|
Maybe the World Is Something I Ate |
IV, 169 |
|
Measures |
IV, 186 |
|
Mediterranean Tour |
I, 61 |
|
Meeting |
II, 129 |
|
Messages |
III, 185 |
|
Metempsychosis |
III, 71 |
|
Michelangelo |
III, 162 |
|
Midwest |
I, 45 |
|
Milosz in Cracow |
I, 141 |
|
Miranda upon Caliban |
III, 98 |
|
Mirror Flow |
II, 118 |
|
Miscounting |
I, 143 |
|
Mole Hazard |
II, 47 |
|
Mortification |
III, 112 |
|
Mother of Mercy, Is This the End of Rico? |
IV, 168 |
|
Mother’s Greeting |
III, 39 |
|
Mr. X |
V, 37 |
|
Museum Dependencies |
IV, 167 |
|
Must I Own a Persona? |
IV, 19 |
|
My Bible |
I, 78 |
|
My Cup Runneth Over |
I, 220 |
|
My Daughter Once |
IV, 31 |
|
Napping in Winter |
III, 2 |
|
Nationalisms |
IV, 178 |
|
Neither Brothers nor Underlings |
III, 87 |
|
New Year’s Again and Again |
III, 56 |
|
New York Conversation |
II, 90 |
|
Night Comes Even to Coney Island |
II, 15 |
|
Night Visits |
I, 226 |
|
1918, 1928 |
II, 1 |
|
Note to the World |
III, 236 |
|
Nothing but a Pack |
II, 78 |
|
Nuevo York |
III, 222 |
|
Nursery Rhyme |
III, 48 |
|
Nurture |
IV, 196 |
|
O, We Poets |
IV, 89 |
|
Obituary of a Litterateur |
IV, 147 |
|
Ode on the Death of Senator – |
II, 89 |
|
Oil |
I, 37 |
|
O’Keeffe |
I, 154 |
|
On Hearing That We See a Sin, but Not a Peccadillo |
IV, 38 |
|
On Reading My Poem in the Last Lyric |
IV, 110 |
|
On Replacing Janet’s Necklace |
I, 209 |
|
On the Comic Substrate |
IV, 2 |
|
On the Death of Danny Kaye |
II, 175 |
|
On the Death of James Thurber |
I, 146 |
|
On the Idea that Anti-Semitism Is Soluble in Art |
III, 143 |
|
On the Passing of the Senator Who Gave Us the IRA |
IV, 179 |
|
On the Proposition that If Angels Could Sing, They Would Sing Mozart |
II, 68 |
|
On the Road |
I, 95 |
|
One by Terrible One |
II, 220 |
|
Opposing Composing |
IV, 149 |
|
Ordinary People |
III, 203 |
|
Otoh Botoh |
IV, 183 |
|
Out of Tune |
IV, 162 |
|
Overnight |
II, 52 |
|
Paine to Blake |
III, 126 |
|
Paradise Gained |
IV, 119 |
|
Pardon, Poet |
I, 235 |
|
Particle Physics |
I, 137 |
|
Passage into the Year |
II, 135 |
|
Pasternak |
III, 133 |
|
Paths |
III, 155 |
|
Pause |
II, 223 |
|
Pearl |
III, 201 |
|
Perhaps the Chicks |
II, 61 |
|
Permutations |
III, 230 |
|
Personifications |
II, 114 |
|
Photo Opportunity |
I, 54 |
|
Photo: Zero Mostel Reading |
II, 173 |
|
Pierrot |
II, 106 |
|
Pietra Dura, from the Red Fort |
III, 65 |
|
Pilot Whales Ashore |
II, 39 |
|
Plain Jane at the Casement |
IV, 32 |
|
Poem on Sunday |
III, 1 |
|
Poem Without Matthew’s Name in It |
IV, 62 |
|
Point |
II, 83 |
|
Polly Wants a Croissant |
IV, 201 |
|
Portion and Proportion |
I, 39 |
|
Pound |
IV, 134 |
|
Predilections |
IV, 111 |
|
Presidential Machismo |
IV, 175 |
|
Primavera |
I, 156 |
|
Provisional Division |
II, 192 |
|
Purchase |
II, 30 |
|
Purple Crocus |
I, 205 |
|
Pursuing Definitions |
IV, 13 |
|
Pursuing the Contract |
III, 12 |
|
Quality and Equality |
II, 234 |
|
Raft on the Susquehanna |
III, 91 |
|
Rapid Fire |
I, 3 |
|
Recessional |
IV, 29 |
|
Reject |
III, 188 |
|
Release |
IV, 1 |
|
Repartee |
II, 49 |
|
Repercussions |
III, 30 |
|
Required Reading of the Leisure Class |
IV, 146 |
|
Rescue |
II, 204 |
|
Restaurant on a Highway |
IV, 127 |
|
Return to the Plains |
II, 116 |
|
Revelation |
III, 193 |
|
Reverence and Irreverence |
III, 80 |
|
Rhino |
II, 50 |
|
Ritardando |
II, 181 |
|
Ritual Filmviewing on the Holiday |
I, 163 |
|
Rollercoaster |
II, 13 |
|
Romance |
I, 149 |
|
Room for One More |
II, 190 |
|
Rosetta |
II, 124 |
|
Rule of Plumb |
IV, 26 |
|
Ruminating |
III, 199 |
|
Rumpelstiltskin |
I, 200 |
|
Sage |
III, 182 |
|
Salutation |
I, 180 |
|
Sanctity |
IV, 223 |
|
Saturday Evening |
II, 133 |
|
Scott |
I, 134 |
|
Seeing Red |
I, 139 |
|
Self-Portrait of Somebody Else |
I, 23 |
|
Sermon for Today’s Teresa |
III, 177 |
|
Shades |
I, 94 |
|
She Dances Between the Dance |
III, 105 |
|
She Mistakes Him for the God of Death |
II, 63 |
|
She |
III, 61 |
|
Sheath |
III, 86 |
|
Shelter Volunteer |
II, 11 |
|
Shipping News |
II, 153 |
|
Shut In |
I, 132 |
|
Shut Up When You Speak to Me |
IV, 180 |
|
Silent in Charity |
III, 40 |
|
Six A.M. |
I, 183 |
|
Sliding Scales |
I, 189 |
|
Small Dunes |
III, 92 |
|
Small Vehicle |
IV, 155 |
|
Solzhenitsyn’s Dream |
I, 108 |
|
Song |
I, 84 |
|
Sonnet to a Telephone Pole |
IV, 65 |
|
Sonnet to and from Narcissus Speaking Theoretically |
II, 227 |
|
Sonnet Written in Alaska |
IV, 67 |
|
South Pacific War |
I, 10 |
|
Spanish Serenade |
I, 31 |
|
Spirit Is the Fulfillment of Matter |
IV, 72 |
|
Stages |
II, 7 |
|
Sting Ray |
III, 82 |
|
Stripling |
I, 173 |
|
Sumer Is Icumen Out |
IV, 199 |
|
Summer-ies |
II, 185 |
|
Systems |
I, 228 |
|
Talent and Power |
IV, 132 |
|
Talleyrand Ruminates |
II, 81 |
|
Taxi Standing |
III, 231 |
|
Tectonics |
IV, 92 |
|
Termination and Indetermination |
III, 110 |
|
Tether |
II, 9 |
|
Thanks for Nothing |
IV, 101 |
|
Thanksgiving |
IV, 45 |
|
The Abiders |
II, 189 |
|
The Ages Design Our Silence |
I, 75 |
|
The Ambiguity of Love |
IV, 106 |
|
The Art of Language |
IV, 154 |
|
The Bedchamber of Time and Truth |
I, 157 |
|
The Book of Retirement |
III, 33 |
|
The Boy with a Man in His Pocket |
II, 26 |
|
The Brand of Midnight |
II, 229 |
|
The Brooklyn Love Song |
II, 107 |
|
The Burial of Kafka and His Transfiguration |
II, 169 |
|
The Case |
IV, 206 |
|
The Chink in the Wall to Bottom |
III, 109 |
|
The Colonist |
I, 43 |
|
The Curve of the Unseen |
II, 197 |
|
The Dark Zodiac of the Unicorn |
III, 62 |
|
The Eagle |
II, 55 |
|
The Echo |
IV, 16 |
|
The End of the Beginning |
I, 177 |
|
The Engaging Streams |
I, 230 |
|
The First Fathers Day |
IV, 6 |
|
The First Fetus |
III, 108 |
|
The Five |
II, 120 |
|
The Form of Flattery |
III, 210 |
|
The Four Questions of Jacob Epstein |
III, 168 |
|
The Freedom of the Philippines |
III, 209 |
|
The Garden |
I, 208 |
|
The Gate |
I, 174 |
|
The Gnat: a Tale |
IV, 74 |
|
The Greatest Writer of the American South Is Dostoyevsky |
IV, 133 |
|
The Groom Speaks |
II, 148 |
|
The Hope of Something Happening |
I, 187 |
|
The Hour |
I, 207 |
|
The Human Record |
II, 150 |
|
The I Ching of Love |
IV, 87 |
|
The Inconvenient Fault |
II, 157 |
|
The Inn |
III, 211 |
|
The Ion That Turns the Quest into a Question |
III, 235 |
|
The Jarring of Ice and Fire |
II, 222 |
|
The Jungle |
II, 60 |
|
The Love Song of A. Particular Specialpoet |
IV, 140 |
|
The Lover As the Letter C |
IV, 95 |
|
The Meaning of Coney Island |
I, 90 |
|
The Mirror of the Sea |
III, 75 |
|
The Mother Goose Cowboy |
I, 49 |
|
The Obscurity of the Clear Heart |
III, 195 |
|
The Oranges and Peaches and the Descent of Pan |
IV, 117 |
|
The Peace Which Passeth Violence |
I, 34 |
|
The Plotting of Ancient China |
IV, 198 |
|
The Poet’s Timbre |
IV, 135 |
|
The Question of Life Everlasting |
III, 70 |
|
The Regal Eagle |
IV, 75 |
|
The Rendezvous |
IV, 83 |
|
The Retrenched |
I, 20 |
|
The Rider |
I, 196 |
|
The Rose Ballad |
III, 60 |
|
The Sacrificial Lamb |
I, 179 |
|
The Sainte-Chapelle |
I, 87 |
|
The Sea-Guest |
I, 184 |
|
The Seeker After Beauty |
II, 143 |
|
The Shifting Sounds |
IV, 157 |
|
The Singing Forest |
I, 6 |
|
The Stamped |
I, 5 |
|
The Swamp-Wiggler |
IV, 70 |
|
The Swans |
II, 42 |
|
The Triplicorn Tapestries |
II, 199 |
|
The Twists of Truth |
IV, 81 |
|
The Universal Clock |
II, 155 |
|
The Visit |
III, 128 |
|
The Wedding |
II, 147 |
|
The Wing and the Talon |
I, 215 |
|
Think Now of the World |
II, 168 |
|
Thinking of Uta Hagen |
III, 179 |
|
This Bed I Make |
I, 172 |
|
This Is My First Proposal |
I, 194 |
|
Three Coney Island Farewells to Winter |
IV, 202 |
|
Time Out |
III, 103 |
|
Time Pieced |
III, 47 |
|
To – |
IV, 91 |
|
To a Friend Buried in Libya |
I, 22 |
|
To a Friend Who Is a Psychologist |
IV, 174 |
|
To a Poet |
III, 130 |
|
To a Pro at Being Anti |
II, 121 |
|
To a Woman Who Brought Music into Our Lives |
IV, 165 |
|
To an Unadoptable Child |
III, 38 |
|
To Be Continued |
II, 176 |
|
To Cybele |
III, 197 |
|
To Cynthia |
IV, 107 |
|
To Desert Spaces |
III, 41 |
|
To Janet, Doing a Crossword Puzzle |
I, 210 |
|
To Mae West, Whose Hour-Glass Figure Has Run Its Time |
I, 162 |
|
To Max Schreck |
III, 147 |
|
To St. Cecilia |
III, 151 |
|
To the Commissioner for Quieting Disaffection |
II, 87 |
|
To Wait for You |
IV, 90 |
|
Toward Pearl Harbor |
II, 71 |
|
Town Dump |
III, 224 |
|
Traverse |
I, 44 |
|
Trochaic Epitaphs |
I, 148 |
|
Tundra Meditation |
II, 44 |
|
Turning Agent |
IV, 12 |
|
Unburdening |
I, 13 |
|
Under the Soil of France |
I, 19 |
|
Unity of Style |
III, 113 |
|
Unrecovered Heads |
II, 64 |
|
Upstairs |
III, 148 |
|
Vanishing Point |
III, 160 |
|
Vertical Reach |
I, 60 |
|
Vessel |
III, 215 |
|
Vietnam Landing |
II, 76 |
|
Visible Music |
II, 12 |
|
Waking |
III, 55 |
|
Washing Up |
III, 189 |
|
Waste into Waste |
III, 228 |
|
Waves |
II, 231 |
|
We |
III, 233 |
|
Weekend |
III, 8 |
|
“Westminster Abbey” |
IV, 122 |
|
What I Mean By Waking |
II, 233 |
|
What Is Due |
IV, 161 |
|
What Wild Ecstasy? |
IV, 128 |
|
When I Was a Boy Past Twelve |
I, 224 |
|
When No Mite Ambles In |
II, 46 |
|
When We Left Awaken |
I, 14 |
|
Where We Park |
I, 72 |
|
Whiskers in the Dark |
II, 198 |
|
Wilfred Owen and Isaac Rosenberg |
III, 135 |
|
Winternet |
I, 73 |
|
With Janet Near Kyoto |
II, 184 |
|
Without |
II, 70 |
|
Woods |
III, 79 |
|
Wrong Chambers |
II, 80 |
|
Yitzhak Rabin at Evening |
III, 184 |
|
Youthful Graves |
IV, 136 |
|
Zabriskie Point |
I, 47 |
|
Zeitgeist |
IV, 150 |
|
Zenith |
IV, 151 |